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Jan 20,  · Add even more capability to Adobe® After Effects® using third-party plugins. The plugins listed below work with our latest release, After Effects , and support Multi-Frame Rendering for the fastest renders possible. Plug-ins may also be found by searching our Partner Finder database of developers. With Adobe After Effects, the industry-standard motion graphics and visual effects software, you can take any idea and make it move. Design for film, TV, video, and web. Even navigate and design in a 3D space. With After Effects, you can make eye-catching motion graphics and visual effects — for social posts and videos that won’t be. Jul 29,  · On July 14, the Adobe Color themes panel will be disabled in Photoshop, Illustrator, InDesign, and After Effects. For more information, see End of support for Adobe Color Themes panel. For general information about color correction and color adjustment, including links to tutorials and other resources, see Color correction, color grading, and.


Adobe After Effects – Wikipedia.Adobe After Effects – Wikipedia


The Levels Individual Controls effect functions like the Levels effect but allows you to adjust the individual color values for each channel, so you can add expressions to individual properties or animate one property independently of the others. See Levels Individual Controls effect. Shows number of pixels with each luminance value in an image. See Color correction, color grading, and color adjustment. Tip : Click the histogram to alternate between showing colorized versions of the histograms for all color channels and only showing the histogram for the channel or channels selected in the Channel menu.

Input Black and Output Black. Pixels in the input image with a luminance value equal to the Input Black value are given the Output Black value as their new luminance value.

The Input Black value is represented by the upper left triangle below the histogram. The Output Black value is represented by the lower left triangle below the histogram. Input White and Output White. Pixels in the input image with a luminance value equal to the Input White value are given the Output White value as their new luminance value.

The Input White value is represented by the upper right triangle below the histogram. The Output White value is represented by the lower right triangle below the histogram. The exponent of the power curve that determines the distribution of luminance values in the output image. The Gamma value is represented by the middle triangle below the histogram. These controls determine the results for pixels with luminance values that are less than the Input Black value or greater than the Input White value.

If clipping is on, pixels with luminance values less than the Input Black value are mapped to the Output Black value; pixels with luminance values above the Input White value are mapped to the Output White value. If clipping is off, the resulting pixel values can be less than the Output Black value or greater than the Output White value and the Gamma value affects. The Levels Individual Controls effect functions like the Levels effect but allows you to adjust the individual color values for each channel.

As a result, you can add expressions to individual properties or animate one property independently of the others. To see each control individually, click the arrow next to the channel color to expand it. For faster renders, this effect uses GPU-acceleration. For information on the controls for this effect, see Levels effect.

The Photo Filter effect mimics the technique of putting a colored filter in front of the camera lens to adjust the color balance and color temperature of the light transmitted through the lens and exposing the film. You can choose a color preset to apply a hue adjustment to an image, or you can specify a custom color using the color picker or the eyedropper.

To select a custom color for the filter color, click the color swatch for the Color control to select a color using the color picker, or click the eyedropper and click a color anywhere on the computer screen. To retain Photo Filter adjustment layers created in Photoshop, import the Photoshop file into your After Effects project as a composition rather than as footage. If you changed your default Photoshop color settings, After Effects may not be able to exactly match the color of the Photo Filter.

This effect works with 8-bpc and bpc color. In After Effects CS6 or later, this effect works in bit color. Warming Filter 85 and Cooling Filter Color conversion filters that tune the white balance in an image. If an image was photographed with a lower color temperature of light yellowish , the Cooling Filter 80 makes the image colors bluer to compensate for the lower color temperature of the ambient light.

Conversely, if the photo was taken with a higher color temperature of light bluish , the Warming Filter 85 makes the image colors warmer to compensate for the higher color temperature of the ambient light. Warming Filter 81 and Cooling Filter Light balancing filters for minor adjustments in the color quality of an image. The Warming Filter 81 makes the image warmer yellower , and the Cooling Filter 82 makes the image cooler bluer. Individual Colors. Apply a hue adjustment to the image depending on the color preset you choose.

Your choice of color depends on how you use the Photo Filter command. If a photo has a color cast, you can choose a complement color to neutralize the color cast. You can also apply colors for special color effects or enhancements.

For example, the Underwater color simulates the greenish-blue color cast common to underwater photography. The PS Arbitrary Map effect is intended only to provide compatibility with projects created in earlier versions of After Effects that use the Arbitrary Map effect.

For new work, use the Curves effect. An arbitrary map adjusts the brightness levels of an image, remapping a specified brightness range to darker or brighter tones. In the Curves window in Photoshop, you can create an arbitrary map file for the entire image or for individual channels.

You can import and apply an arbitrary map file with Options in the Effect Controls panel. When loaded into After Effects, the specified arbitrary map is applied to the layer or to one or more channels of the layer, depending on how it was created. To convert. Cycles through the arbitrary map. Increasing the phase shifts the arbitrary map to the right as viewed in the Curves dialog box ; decreasing the phase shifts the map to the left.

Apply Phase Map To Alpha. Applies the specified map and phase to the alpha channel of the layer. Selective color correction is a technique used by scanners and separation programs to change the amount of process colors in each of the primary color components in an image. You can modify the amount of a process color in any primary color selectively—without affecting the other primary colors. For example, you can use selective color correction to decrease the cyan in the green component of an image while leaving the cyan in the blue component unaltered.

The Selective Color effect is provided in After Effects primarily to ensure fidelity with documents imported from Photoshop that use the Selective Color adjustment layer type.

Changes the existing amount of cyan, magenta, yellow, or black by its percentage of the total. This option cannot adjust pure specular white, which contains no color components. Adjusts the color in absolute values. The adjustment is based on how close a color is to one of the options in the Colors menu.

The Details property group provides an alternate interface for adjusting colors and matches the properties shown in the Timeline panel. You can also adjust the overall contrast of an image. The default settings are for fixing images with backlighting problems.

Auto Amounts. If this option is selected, the Shadow Amount and Highlight Amount values are ignored, and amounts are used that are automatically determined to be appropriate for lightening and restoring detail to the shadows. Selecting this option also activates the Temporal Smoothing control. Shadow Amount. The amount to lighten shadows in the image. This control is active only if you deselect Auto Amounts. Highlight Amount. The amount to darken highlights in the image. Temporal Smoothing can result in smoother-looking corrections over time.

If this option is selected, frames beyond a scene change are ignored when surrounding frames are analyzed for temporal smoothing. The higher you set this value, the less the effect affects the clip. The range of adjustable tones in the shadows and highlights. Lower values restrict the adjustable range to only the darkest and lightest regions, respectively.

Higher values expand the adjustable range. These controls are useful for isolating regions to adjust. Specifying a value that is too large for a given image may introduce halos around strong dark to light edges.

The default settings attempt to reduce these artifacts. These halos may occur if the Shadow or Highlight Amount value is too large; they can also be reduced by decreasing these values. Shadow Radius and Highlight Radius. The radius in pixels of the area around a pixel that the effect uses to determine whether the pixel resides in a shadow or a highlight. Generally, this value should roughly equal the size of the subject of interest in the image. Color Correction. The amount of color correction that the effect applies to the adjusted shadows and highlights.

For example, if you increase the Shadow Amount value, you bring out colors that were dark in the original image; you may want these colors to be more vivid. The higher the Color Correction value, the more saturated these colors become. The more significant the correction that you make to the shadows and highlights, the greater the range of color correction available. Midtone Contrast. The amount of contrast that the effect applies to the midtones. Higher values increase the contrast in the midtones alone, while concurrently darkening the shadows and lightening the highlights.

A negative value reduces contrast. The Tint effect tints a layer by replacing the color values of each pixel with a value between the colors specified by Map Black To and Map White To.

Pixels with luminance values between black and white are assigned intermediate values. Amount To Tint specifies the intensity of the effect. This effect is GPU accelerated for faster rendering.

The Tritone effect alters the color information of a layer by mapping bright, dark, and midtone pixels to colors that you select. The Tritone effect is like the Tint effect, except with midtone control. The Vibrance effect adjusts saturation so that clipping is minimized as colors approach full saturation. Colors that are less saturated in the original image are affected by the Vibrance adjustments more than are colors that are already saturated in the original image.

The Vibrance effect is especially useful for increasing saturation in an image without over-saturating skin tones. The saturation of colors with hues in the range from magenta to orange is affected less by Vibrance adjustments. To affect less-saturated colors more than more saturated colors and protect skin tones, modify the Vibrance property. To adjust the saturation of all colors equally, modify the Saturation property. The Video Limiter effect clips video signals to legal ranges in the project working space.

For broadcast, these ranges are measured in IRE units. You can limit the chrominance and luminance values of the video signals to meet broadcast specifications. You can apply it to individual layers, or to an adjustment layer to limit your entire composition.

You can use the Video Limiter effect instead of the similar but older, 8-bpc-only Broadcast Colors effect. Legal Notices Online Privacy Policy. Buy now. User Guide Cancel. Third-party effects in this category included with After Effects:.

Lumetri Color effect. This effect works with 8-bpc, bpc, and bpc color. Selective color adjustment with the color correction curves. RGB curves. RGB Curves let you adjust luma and tonal ranges across the clip using curves.

The master curve controls the Luma. Initially, the master curve is represented as a straight white diagonal line.

The upper-right area of the line represents highlights and the lower-left area represents shadows. Adjusting the master curve adjusts the values of all three RGB channels simultaneously. You can also choose to selectively adjust tonal value only for Red, Green, or Blue channels.

To adjust different tonal areas, add control points directly to the curve. Click directly on the curve line and then drag the control point to adjust a tonal area. Dragging a control point left or right increases or decreases the contrast. Hue saturation curves. Hue versus Hue – Select a color hue in the image and change it to another hue.

Hue versus Saturation – Change the saturation of a color in the image. Hue versus Luma – Adjust the brightness of a color in the image. Saturation versus Saturation – Select and adjust the saturation range within the original saturation of an image. Luma versus Saturation – Select a luma range and adjust its saturation. Set up Hue Saturation curves. Selectively color grade your footage. Click the eyedropper for the curve that you want to use.

Drag the control points to adjust any of the color curves. When you selecting another color with the eyedropper, it adds additional three points to the graph. You can also create control points by clicking the curve. To delete a point, use Cmnd-click Mac and alt-click Win. Double-click any point to clear all points from the graph. Press the Shift key while you select a point on the graph to lock a control point at thier current hue. Customize and manage workspaces.

Configure application preferences. Controlling and working with the timeline and media. Key Concepts: panning, zooming, playing, pausing, keyboard shortcuts spacebar, mouse wheel, etc. Use markers.

Key Concepts: composition timeline and layer clip markers c. Use guides and grids. Import media from various sources. Key Concepts: compatible files, importing layers from Photoshop.

Key Concepts: finding, replacing, and reloading linked media files; interpretingfootage; organizing assets using folders, placeholders, metadata, etc.

Official guidelines 3. Recognize the different types of layers in the Timeline panel. Key Layer Types: footage, text, solid, shape, camera, adjustment, light, null object, and pre-comp b. Use the Timeline panel to manage layers. Key Concepts: quality and sample; adding, deleting, locking, unlocking, renaming,and reordering layers; managing labels; using switches and modes; etc.

Manage multiple layers in a complex composition. Key Concepts: hiding and showing layers; solo, shy, and mute layers; blending modes, opacity b. Create, apply, and manipulate masks and track mattes. Official guidelines 4. Create visual elements using a variety of tools. Key Concepts: solids, shape layers, and creating shapes from vector layers ii.

Key Tools: Shape e. Rectangle, etc. Add Vertex, etc. Place assets into a composition. Create text in a composition. Key Concepts: point text, paragraph text, adding a path to text b. Adjust character settings. Key Settings: font, size, style, kerning, tracking, leading, horizontal and vertical scale, etc. Adjust paragraph settings. Key Settings: alignment, indentation e. Indent left margin, etc.

Animate text. You can update the device driver from the following locations: Display driver: Supported Intel driver versions. Driver version – After Effects features that use GPU. Features natively available in After Effects.

Third-party effects. Mercury GPU Acceleration. More information about GPU. Unlike the other effects, they do not currently have a CPU fallback. Their advantage for VR over other effects is that they are seamless, and they wrap the ends of the VR image together. How do I upgrade or change my membership? My trial expires soon. How do I convert it? How do I cancel and what happens to my files? Can I fix shaky, handheld footage?

How do I create realistic motion? How can I animate a character to sync with my dialogue? How do I animate text for a title? How do I make footage appear within an object?

Export issues. Why is my video file so huge? Why does it play so poorly? Why aren’t all QuickTime codecs available? What settings do I use to export to YouTube or Vimeo? How do I export to H. How do I create video for Flash Player?

Common issues. What are the common known issues present in After Effects? Why am I getting a QuickTime error? Why am I getting an error about converting Unicode characters? My trial version of After Effects has expired. Can I still continue to render Motion Graphics templates?

Why am I getting an error about After Effects being unable to read Font dictionary upon launch? Why am I getting an error about After Effects being unable to allocate memory? Community Join the conversation.


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